Joan van Ark was born on June 16, 1943, in New York City, New York. Her parents were not connected to the film industry.
When Joan was a teenager acting in Denver, she met actress Julie Harris, and their lives would never be the same.
Julie pushed her to go to the highly regarded Yale Drama School and gain admission using a scholarship she had also set up.
This made Joan Van Ark the second-ever woman to enroll at the Drama School
She [Harris] wrote to the dean and asked him to meet me. “Long story short, my parents drove me to New Haven, Connecticut, to meet the dean, who gave me a scholarship,” Joan recalled.” It was meant to be.” Joan went on to perform in the theatre for a few years, but her real passion was in Television.
Temperature’s Rising, Spider-Woman, and Days of Our Lives
Joan achieved enormous renown as a result of her roles in Temperature’s Rising, Spider-Woman, Days of Our Lives, and even one Bonanza episode. But her role as Valene Ewing on Dallas in 1978 was where she first achieved great popularity. She ended up playing the most important role she has ever had.
Because of how popular the show was, Joan appeared on its spin-off, Knots Landing. a program that was actually written prior to Dallas. Dallas was initially chosen by the producers because it was the best option for portraying affluent households at the time. Joan was then forced to play the same part in Dallas instead of joining the Knots Landing cast.
13 Seasons of Knots Landing ensued for Joan Van Ark
The person who actually convinced Joan to accept the part while already working on two other projects was her husband, renowned newscaster John Marshall. There was a moment when Val Ewing’s mother was scheduled to make her television debut. Surprise, surprise—Julie Harris was chosen for the position. The person who mattered the most to her in all the world was this.
“When the producers told me they had finally last someone to play my mother, I held my breath,” she recalled in a 1984 interview with Florida Today. “I thought, ‘Oh my God, are they going to say Phyllis Diller or Zsa Zsa Gabor, or who?’ Then they said it was Julie Harris, and I went right through the roof. I couldn’t believe they had picked her to be my mother. They didn’t even know we were friends.”
327 Episodes later, Joan Van Ark was ready for new ventures
13 Seasons and 327 episodes later, Joan left a season before the show saw its final season air. She knew many blamed her leaving on the cancellation of the show, but she was ready for new adventures. “I have loved more than life the 13 years I’ve had on that show,” she said. “[Knots Landing creator] David Jacobs is a great influence on my life, has taught me so much about so many things.”
“Ted [Shackelford] is the other half of every breath I take on the show, and personally, he’s a large part of my heart. The people are my family–we have shared marriages, deaths, and divorces. It’s far more difficult to leave than I thought.” Joan thereafter appeared on The Young and The Restless as Gloria Fisher.
In high school, John Marshall first met Joan, and the two quickly got married. They have a lovely daughter named Vanessa Marshall who works in the entertainment industry at the moment. After 56 years of marriage, the pair is still very much in love and leads extremely private lives away from the spotlight.
78 years old with a net worth of $10 million
At 78 years old, Joan has amassed a $10 million net worth and is still as gorgeous as ever when seen out and about in Los Angeles. She was last seen three years ago and was just seen paying for parking at a meter while wearing workout clothes and a ponytail.
She co-starred in the 2017 television film Psycho Wedding Crasher, which was her most recent and final appearance on screen.
Joan Van Ark, who has worked in the film industry for the past 50 years, has joined The Actor’s Studio as a life member. What an icon!
It Took Me 2 Years to Find the House from an Old Photo I Received Anonymously
A mysterious box appears on Evan’s doorstep containing a baby photo with a birthmark identical to his and a faded image of an old house shrouded in trees. Haunted by questions of family and identity, Evan becomes obsessed with finding it. Two years later, he does.
When people ask where I’m from, I always say “here and there.” It’s simpler that way. Nobody really wants to hear about foster homes and sleeping in rooms that never felt mine.
A serious man | Source: Midjourney
But truth be told, I’ve been searching for the true answer to where I came from my whole life.
I remember Mr. Bennett, my 8th-grade history teacher, better than most of the families I lived with. He was the only one who ever looked at me like I wasn’t a lost cause.
I didn’t realize it back then, but his belief in me was the start of everything. He’s the reason I clawed my way to a college grant. But college didn’t care how scrappy I was.
A college class | Source: Pexels
While other students called home for emergency cash, I worked double shifts at the campus café, microwaving three-day-old pizza for dinner. I never complained. Who would listen?
After graduation, I lucked into a job as an assistant to Richard — think Wall Street shark in a luxury suit. He was ruthless but brilliant. He didn’t care where I came from, only that I could keep up.
For five years, I followed him like a shadow, learning everything from negotiation tactics to the art of not flinching in a boardroom.
Businesspeople in a boardroom | Source: Pexels
When I walked away, it wasn’t with bitterness. It was with the blueprint for my logistics company: Cole Freight Solutions.
That company became my pride and proof that I was so much more than just a name on a file in some state database.
I thought I’d finally escaped my past in the foster system. I was 34, too old to be haunted by my mysterious origins when my future lay before me. That’s what I told myself, at any rate. But it turned out my past had more to show me.
A man in a warehouse | Source: Midjourney
I’d just come home from work and the box was sitting on my front step like it had fallen out of the sky. No postage, no address, no delivery slip.
At first, I didn’t touch it. I stood there, hands in my jacket pockets, scanning the street. No one was around. The only movement was the sway of the neighbor’s wind chimes. After a few minutes, I crouched down and ran my fingers along its edges.
It was just a plain old cardboard box, soft at the corners like it had been wet once and dried in the sun.
A slightly damaged cardboard box | Source: Midjourney
I carried it inside, kicking the door shut behind me. It sat on my kitchen table, silent but loud in its own way.
I pulled open the flaps, and I swear, for a second, I stopped breathing.
It was full of toys. Old, battered toys. A wooden car with half its wheels gone, a stuffed rabbit with one button-eye dangling from a loose thread. They smelled like time — musty and sad. Then I saw the photos.
Items in a cardboard box | Source: Midjourney
Faded images spilled out like loose puzzle pieces. The first photo I grabbed stopped me cold. A baby’s chubby face, round cheeks flushed with life. My eyes locked on a small, jagged mark on his arm. My breath hitched.
No. It couldn’t be.
I yanked up my sleeve, heart pounding hard enough to feel it in my ears. There it was — that same odd-shaped birthmark just below my elbow. My fingers hovered over it like I’d never seen it before.
A birthmark on a man’s arm | Source: Midjourney
My gaze flicked back to the table, hands moving with urgency now. Another photo lay beneath the first. This one was different. It showed an old, weathered house half-hidden behind a wall of trees. It looked like something forgotten.
Beneath the photo, faint words scratched across the bottom. I tilted it toward the kitchen light, squinting like that would sharpen the letters.
Two words floated up from the smudges: “Cedar Hollow.”
A man holding a photo | Source: Midjourney
I didn’t have time to process it before I spotted the letter. The paper had the rough texture of an old grocery bag and smelled faintly of mildew. My fingers hesitated as if the letter might burn me. But I opened it anyway.
“This box was meant for you, Evan. It was left with you as a baby at the orphanage. The staff misplaced it, and it was only recently found. We are returning it to you now.”
My legs buckled, and I sat hard on one of the kitchen chairs.
A shocked man | Source: Midjourney
My elbows pressed into the table as I gripped my head with both hands. I read it again, slower this time as if slowing down would change what it said. It didn’t.
The photo, the baby, the birthmark, the house. This box — this stupid, worn-out box — had handed me the key to a question I’d stopped asking myself years ago: “Who are you?”
That night, I sat at my desk with the photo pinned beneath my fingers. I scanned it, enlarged it, and ran it through cheap online tools that promised “enhancement” but only made it worse.
A frustrated man working on a laptop | Source: Midjourney
Every blurry line made me angrier. Every click of the mouse felt like I was pushing further from the truth.
Weeks passed. My search history turned into a rabbit hole of maps, old county registries, and forum posts full of strangers who “knew a guy” who “might know a place.”
Every lead ended in a dead end, but I couldn’t let it go. So I hired professionals. Real investigators with access to records I couldn’t touch.
A detective | Source: Pexels
I told myself it was just curiosity. Just a little unfinished business. But I knew better. I knew I wouldn’t stop.
Months passed. The investigators burned through my savings, but I didn’t care. I was chasing something bigger than logic. I stopped taking client calls and ducked out of friend meetups. People asked if I was sick. I wasn’t sick; I was consumed.
Two years later, my phone buzzed at 2:16 p.m. I answered before the second ring.
A man holding a cell phone | Source: Pexels
“You’re not gonna believe this,” said the investigator. “Cedar Hollow. It’s real, and I found it. It’s a house about 130 miles from you. I’m texting you the address.”
I hung up, hands gripping the phone so tight it squeaked.
It was real… the text with the address flashed up on my screen, followed shortly by a location pin. This was it. I was going home.
An emotional man | Source: Midjourney
I drove three hours through back roads and half-forgotten highways. No music. No distractions. Just me, the hum of the engine, and the low thump of my heartbeat in my ears.
The house wasn’t hard to spot. It sat at the end of a dirt road, surrounded by trees that twisted upward like bony fingers. The boards on the windows and doors were cracked. Vines crawled up the siding. It looked tired, like it had been holding its breath for years.
I parked the car and got out.
A neglected house | Source: Midjourney
The air smelled like damp leaves and old bark. My breath came out in puffs of white mist. I walked up to it slowly, one foot in front of the other.
My fingers dug under the edge of a loose board on the back window. It took three hard pulls before it came free, nails popping loose. I hoisted myself through, landing on creaky floorboards with a thud.
The first thing I saw was the cradle.
An old cradle | Source: Midjourney
It was exactly like the photo. The curve of the wood was identical, and the hand-carved stars on the side were the same. I reached for it, touching the edge with my fingertips.
On the small table beside it, there was a picture frame. A woman holding a baby. Her smile was soft and tired, but there was warmth there. I knew that smile.
I knew it because I’d been waiting for it my whole life.
An emotional man | Source: Midjourney
“Mom,” I whispered, lifting the picture frame.
The frame caught on something, stirring up the dust. There was a letter on the table, folded neatly like someone had taken great care. My fingers shook as I opened it.
“Someday you will come here, son, and you will find all this.”
I sank onto the floor, my back to the wall.
A man reading a letter | Source: Midjourney
My eyes ran over every word, etching them into my mind.
“I am very sick. Your father left me, and I have no relatives. Just like you will not have any, since there’s no way I can keep you now. I’m so sorry, my angel. Be strong and know that I had no other choice. I love you.”
My tears hit the paper.
A letter | Source: Pexels
I tried to wipe them away, but they left faint stains on the ink. I read it again. Then again.
“I love you.” I wiped the dust off the picture and stared at my mother’s face. I had her eyes and her chin, her letter, and her love, but it wasn’t enough.
Grief only drowns you if you stay under too long. I stayed under for a week, maybe two. Then I did something I never thought I’d do.
A determined man | Source: Midjourney
I called a construction crew.
The first day, they thought I was nuts. The place was a wreck, a “tear-down” as one guy put it. But I shook my head.
“We rebuild it. Everything.”
So, they put in new walls, new windows, and new floors. I took out a loan and worked like a man possessed to make it happen, but it was worth it.
A house | Source: Midjourney
One year later, I stood on the front porch, hands on my hips. The air smelled like fresh pine and clean paint.
But not everything was new.
I kept the cradle. I cleaned it by hand, sanding the rough edges, and staining it until it gleamed. I also kept the photo of her and me and put it on the mantel.
A mantel | Source: Pexels
It took me a lifetime to find it, but I was finally home.
Here’s another story: When Lucy moves into her childhood home, she hopes for a fresh start after her painful divorce. But cryptic comments from her neighbors about the attic stir her unease. The devastating betrayal she discovers up there forces her to flee the house.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
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