Navy Dad Comes Home To Newborn Son, Turns To His Wife And Says Four Words Nobody Expected

Every time a loved one is sent overseas, military families deal with tremendous difficulties. For many families, saying goodbye—possibly for the final time—is an agonizing reality.

It’s a daunting idea to consider the possibility of never seeing each other again. Military troops must make life-or-death decisions while on duty and must count down the days until they can go home. Their families also struggle, juggling obstacles in daily life without the help of a loved one. Keeping in touch while serving overseas is still challenging, despite the availability of contemporary tools like video calls.

Lt. Michael Lemmons of the US Navy also experienced this. His wife gave birth to their son while he was stationed overseas. Lemmons related this story to twenty-seven other crew members who had not seen their babies born. They could not wait to see their new family members when they returned.

Lemmons’s face beams in a touching video when he sees his wife waiting for him on the dock. He finally gets to see his newborn kid as he rushes to her side. She holds their small, darling child in her arms.

Lemmons erupts, overcome with emotion, saying, “He’s perfect.” I’m grateful. He wanted to thank his wife for bearing with him through the ordeal of giving birth and for keeping the household running well. He recognizes the difficulties of being a single parent.

His wife started crying when she heard his sincere remarks. While her husband was serving the nation, she felt appreciated for all that she had done. Even though her efforts were less apparent, they were clearly important.

Lemmons and his wife held their newborn in their arms. Now that their family was complete, they could finally mend their relationship. Lemmons loved spending time with his wife and new baby because he knew he wouldn’t have this much time to spend at home and that he would soon have to serve again.

Supportive remarks were made on Lt. Lemmons’s heartwarming reunion on YouTube.

“My husband was aboard the US Bataan when they were deployed for ten and a half months,” a viewer shared. When they returned home, they had about 150 new fathers—and that number did not include the Marines.

What do you think of this Navy father’s sincere response upon seeing his newborn son?

Australia’s adopted popstar son Leo Sayer reflects on his career

“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.

Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.

He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.

“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”

Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”

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