High schooler takes grandma to prom after she missed out in 1961

High school is a time filled with memorable events such as homecoming dances, proms, and graduations.

For Josephine from Camarillo, California, her high school experience ended before she had the chance to go to prom, all the way back in 1961.

However, her grandson, Michael Ganczewski, decided to turn this missed opportunity into a cherished memory during his own senior prom.

Learning that his grandmother never attended her prom due to financial constraints, Ganczewski saw an opportunity to give her a magical night. Just two weeks before his own senior prom and without a date, he realized he could create the experience of a lifetime for his beloved nana.

When Ganczewski asked Josephine to be his prom date, she initially declined, telling her grandson that she was just grateful for feeling loved on Mother’s Day weekend.

Credit: Getty.

Though, undeterred, Ganczewski convinced her, and on the day of the prom, Josephine sported a beautiful dress and a corsage. Worried about her dancing skills, she soon discovered that the night’s joy was simply about being with her grandson.

In an interview with CBS Los Angeles, Ganczewski expressed his love for his grandmother. “She is the most important woman in my life. If it wasn’t for her, my mom wouldn’t be here, and she wouldn’t have had me. And I love her, and I’d do anything for her,” he said.

Josephine then spoke about how she responded to her grandson’s proposal initially: “I said I’m an old lady. I’m not going to the prom.” She thought Ganczewski, being a handsome young man, would have numerous date options. However, he insisted she was his one and only choice.

Admitted she wasn’t too familiar with this generation’s latest dance trends, Josephine said: “Well, I don’t know any new dances, but I plan to do my best.” Her grandson’s desire to make her feel special touched her deeply, as she remarked: “For the rest of my life, however long that is, I will never forget that he wanted to bring his Nana and show me a good time. That to me is very special.”

As if the gesture itself wasn’t heartwarming enough, Josephine’s prom night ended with an unexpected surprise – Josephine was crowned prom queen, fulfilling a dream she had waited for since 1961.

This marvellous night, filled with love and joy, just showed the importance of the bond between a grandson and his grandmother.

Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’

In the early 1990s, the world fell in love with the adorable Mara Wilson, the child actor known for playing the precocious little girl in family classics like Mrs. Doubtfire and Miracle on 34th Street.

The young star, who turned 37 on July 24, seemed poised for success but as she grew older, she stopped being “cute” and disappeared from the big screen.

“Hollywood was burned out on me,” she says, adding that “if you’re not cute anymore, if you’re not beautiful, then you are worthless.

In 1993, five-year-old Mara Wilson stole the hearts of millions of fans when she starred as Robin Williams’ youngest child in Mrs. Doubtfire.

The California-born star had previously appeared in commercials when she received the invitation to star in one of the biggest-grossing comedies in Hollywood history.

“My parents were proud, but they kept me grounded. If I ever said something like, ‘I’m the greatest!’ my mother would remind me, ‘You’re just an actor. You’re just a kid,’” Wilson, now 37, said.

After her big screen debut, she won the role of Susan Walker – the same role played by Natalie Wood in 1947 – in 1994’s Miracle on 34th Street.

In an essay for the Guardian, Wilson writes of her audition, “I read my lines for the production team and told them I didn’t believe in Santa Claus.” Referencing the Oscar-winning actor who played her mom in Mrs. Doubtfire, she continues, “but I did believe in the tooth fairy and had named mine after Sally Field.”

‘Most unhappy’

Next, Wilson played the magical girl in 1996’s Matilda, starring alongside Danny DeVito and his real-life wife Rhea Perlman.

It was also the same year her mother, Suzie, lost her battle with breast cancer.

“I didn’t really know who I was…There was who I was before that, and who I was after that. She was like this omnipresent thing in my life,” Wilson says of the deep grief she experienced after losing her mother. She adds, “I found it kind of overwhelming. Most of the time, I just wanted to be a normal kid, especially after my mother died.”

The young girl was exhausted and when she was “very famous,” she says she “was the most unhappy.”

When she was 11, she begrudgingly played her last major role in the 2000 fantasy adventure film Thomas and the Magic Railroad. “The characters were too young. At 11, I had a visceral reaction to [the] script…Ugh, I thought. How cute,” she tells the Guardian.

‘Burned out’

But her exit from Hollywood wasn’t only her decision.

As a young teenager, the roles weren’t coming in for Wilson, who was going through puberty and outgrowing the “cute.”

She was “just another weird, nerdy, loud girl with bad teeth and bad hair, whose bra strap was always showing.”

“At 13, no one had called me cute or mentioned the way I looked in years, at least not in a positive way,” she says.

Wilson was forced to deal with the pressures of fame and the challenges of transitioning to adulthood in the public eye. Her changing image had a profound effect on her.

“I had this Hollywood idea that if you’re not cute anymore, if you’re not beautiful, then you are worthless. Because I directly tied that to the demise of my career. Even though I was sort of burned out on it, and Hollywood was burned out on me, it still doesn’t feel good to be rejected.”

Mara as the writer

Wilson, now a writer, authored her first book “Where Am I Now? True Stories of Girlhood and Accidental Fame,” in 2016.

The book discusses “everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood, these essays chart her journey from accidental fame to relative (but happy) obscurity.”

She also wrote “Good Girls Don’t” a memoir that examines her life as a child actor living up to expectations.

“Being cute just made me miserable,” she writes in her essay for the Guardian. “I had always thought it would be me giving up acting, not the other way around.”

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