Fans of *Dancing with the Stars* are upset after one of the dancers performed a mediocre cha cha while wearing a sparkly bracelet on her right ankle. What seemed like a simple accessory actually had a deeper meaning.
Despite the backlash, the dancer stood her ground, telling the quiet audience, “I’ve reinvented myself many times” and “this time I’m going to be a ballroom dancer.”
Keep reading to find out who this controversial performer is on the popular TV show!
Ezra Sosa faced a big challenge in season 33 of *Dancing with the Stars*, his first season as a professional dancer.
His partner claimed to have dance experience, but Ezra had his doubts. When asked about her background, he said, “She did ballet and modern,” then laughed and added, “I don’t think she did…”
Like many others, Sosa doesn’t fully trust what his partner says.
His partner, known as a “fake heiress,” was convicted of grand larceny after pretending to be a wealthy German heiress. She scammed many socialites and even some banks and hotels while living in New York.
Sosa’s partner is Anna Sorokin, who is also known as Anna Delvey. She was born in Russia and became famous after her crimes inspired the Netflix show *Inventing Anna*.
Delvey gained attention for defrauding people, banks, and hotels. The Netflix series features her story, with actress Julia Garner playing her role.
She was convicted of grand larceny multiple times in 2019 and was released from prison in 2021 for good behavior. However, after breaking the rules of her Visa, she was taken into custody by U.S. Immigration and Customs Enforcement (ICE) and placed under home confinement.
Now considered a flight risk, she wears an ankle monitor while she fights to stay in the U.S. and avoid being deported back to Germany, where she is a citizen.
On September 17, Anna caused a lot of controversy with her appearance on the first episode of the new season of *Dancing with the Stars*.
After Delvey was introduced as a “fashionista and entrepreneur,” she and Sosa took to the dance floor to perform a cha-cha to Sabrina Carpenter’s song “Espresso.”
They wore colorful outfits in shades of blue, purple, pink, and yellow. Delvey added a sparkly ankle monitor to her look.
During their performance, Delvey explained her unusual accessory, saying, “I overstayed my visa because I was in jail, so it’s kind of hard to leave.” She laughed and added, “I did serve my time… I’ve reinvented myself many times, and this time I’m going to be a ballroom dancer.”
The judges praised Anna Delvey’s efforts and expressed their surprise at her performance.
Derek Hough said, “I’m kind of lost for words. You actually have the ability to be a really beautiful dancer. Truly, you really do… I was surprised.”
Bruno Tonioli added a more playful touch, saying, “Reinventing Anna … yet again! And it could be working!”
Carrie Ann Inaba addressed the unusual silence in the studio, saying, “When you came out on the dance floor, there was a shift in the energy in this room. I imagine this is scary for you, and I’m not for or against anything you’ve done. But this is about your dancing here.”
However, fans were less kind. Many criticized her “robotic” moves and “miserable face,” while others were upset about the ankle monitor.
“Ankle monitors are not iconic. She should not be on this show,” wrote one user on DWTS’s Instagram page. Another added, “Felons should not be given any sort of spotlight.”
One commenter took issue with her title, saying, “Ooof. ‘Fashionista and entrepreneur?’ No… criminal.” On the DWTS Facebook page, another fan expressed, “Let’s glamorize an ankle bracelet. I’m disgusted.”
After waiting for so long, Simon Cowell pressed the button, knelt down, and simply asked her to sing once again…
In a world often characterized by turmoil and unpredictability, there are instances of profound clarity that shine through like stars in the night sky.
For Simon, such a moment arrived after years of anticipation, as he stood at a crossroads that promised to reshape his life.
The stage was set, the air heavy with emotion as Simon, with trembling hands, pressed a button that held the promise of something extraordinary.
It was a moment he had long awaited, the culmination of aspirations and dreams ingrained within him.
As the button yielded to his touch, Simon’s heart surged with a mix of excitement and trepidation. This wasn’t a spur-of-the-moment decision but a deliberate choice, a leap of faith into the unknown.
With held breath, he knelt down, silent entreaty shimmering in his eyes as he beheld the figure before him.
It was a gesture of vulnerability, an acknowledgment of the power embedded within the soul-stirring melodies that had once infused his life with purpose.
“Sing once more,” he whispered, his voice barely audible amidst the anticipation enveloping the room.
In those three simple words lay a universe of yearning, a fervent longing to reconnect with a part of himself that had long lain dormant.
For Simon, music transcended mere notes or harmonious melodies; it was a lifeline, a guiding light that had led him through the darkest of times and illuminated the path to redemption.
Yet, somewhere along the journey, the music had faltered, its once-potent enchantment fading into the background of his existence. It was a loss that had left an emptiness in his heart, a void yearning to be filled once more.
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