Dad is sitting on the carpet with his darling six-month-old daughter, Lily, in a quaint living room with toys strewn around and baby equipment all over the place. Tom’s character, Dad, is adamant about hearing his young daughter say “Dada” for the first time. He’s been told by friends that their babies said “Dada” at a young age, and he’s now determined to have Lily reach the same milestone.
Tom begins by settling down in front of Lily, who is joyfully tinkering with her multicolored stacking rings while sitting cross-legged. With his sparkling eyes fixed on hers, he urges, “Come on, Lily, say ‘Dada’ for Daddy!” Lily responds with a giggle, obviously enjoying her dad’s attention.
Lily laughs, but Tom doesn’t let that stop him. He tries various strategies, such as calling Lily “Dada” repeatedly in the hopes that she will imitate him. He cries out, “Dada, dada, dada,” and makes funny faces to get Lily to pay attention.
Tom then presents a visual book with animal sounds in it. With a gesture of his hand, he asks Lily, “What does the duck say? “Quack, quack!” Excitementally, Lily claps her hands, but says nothing.
Tom then displays Lily’s beloved plush animal, a cuddly rabbit, to her and waves it. “Lily, look! It’s Bunny!” Could you say “Dada” to Bunny please? Lily doesn’t say anything, even when she reaches for the rabbit.
Tom tries everything throughout the day, including singing nursery rhymes and making goofy noises, but Lily only reacts with sweet coos and babbles. He tries, but “Dada” is still evasive.
Tom perseveres despite being frustrated. He is aware that Lily will eventually begin to speak. He shows Lily so much love and care throughout the day, savoring every second of their quality time together.
When it gets dark and Tom is getting Lily ready for bed, he puts a soft kiss on her forehead and murmurs, “Goodnight, Lily.” Perhaps you’ll say “Dada” tomorrow. Tom smiles, knowing that Lily’s response is a beautiful gurgle and that their special bond is unbreakable.
A touching scene of a father and his priceless daughter, excitedly anticipating their next adventure together, is shown to the viewers as the screen fades to dark.
In the 1980s, this beautiful woman was on her way to becoming a Hollywood star
In a timeless romance, Naval Officer Zack Mayo swept factory worker Paula off her feet, whisking her away from the mundane confines of her workplace. Debra Winger’s portrayal was the envy of fans worldwide, setting a standard for romantic tales in the iconic film “An Officer and a Gentleman”. Richard Gere’s depiction of Officer Zack Mayo, the dashing naval hero clad in his crisp blues, captured hearts across the globe.
Winger, now 69, retains her enduring beauty that first captivated audiences alongside Hollywood’s leading men. Recently, she’s shared glimpses of herself on social media, her once brown locks now naturally curly and silver. Winger’s career ignited with her debut in the 1976 film “Slumber Party ’57”, leading to a memorable role as Drusilla in the hit TV series “Wonder Woman” (1979), where she portrayed the spirited younger sister to Lynda Carter’s Diana Prince.
Despite early success, Winger bravely turned down further commitments on “Wonder Woman” to avoid typecasting, a decision that proved pivotal. Throughout the early 1980s, she garnered acclaim with Oscar and Golden Globe nominations for her roles in iconic films like “Urban Cowboy” (1980) alongside John Travolta, “An Officer and a Gentleman” (1982) as Paula, and “Terms of Endearment” (1983) as Emma, a poignant portrayal of a young woman facing mortality under the watchful eye of her mother, played by Shirley MacLaine.
Yet, amid rising stardom, Winger took a hiatus from Hollywood, sparking speculation that persists over four decades later. Rumors swirled about conflicts with co-stars, including reputed tension with Gere during the filming of “An Officer and a Gentleman”. Co-star Louis Gossett Jr., who played Sgt. Emil Foley, chronicled in his book “An Actor and a Gentleman” that their on-screen chemistry didn’t translate off-screen, attributing friction between Winger and Gere to creative differences.
Winger’s outspoken nature extended beyond Gere; she reportedly clashed with MacLaine on the set of “Terms of Endearment”, where their contrasting styles and personalities led to both friction and eventual camaraderie. The Hollywood grapevine buzzed with tales of Winger’s independence and occasional clashes, enhancing her mystique.
Following her hiatus, Winger returned to the spotlight with “Forget Paris” (1995) alongside Billy Crystal before taking another break to focus on family life in New York City with her husband, actor Arliss Howard. She returned to acting with “Big Bad Love” (2001) and gained further attention with the documentary “Searching for Debra Winger” (2002), exploring her decision to step away from the limelight at the peak of her career.
Reflecting on her Hollywood journey, Winger has remained philosophical, viewing Los Angeles as a place rather than a concept of stardom. Her recent roles in films like “Rachel Getting Married” (2008), “The Lovers” (2017), and “Kajillionaire” (2020) underscore her enduring talent and commitment to diverse roles, reinforcing her status as a cinematic icon who defies easy categorization.
In 2021, Winger appeared in the anthology drama “With/In”, Volume two, in a segment titled “Her Own”, directed and written by her husband Arliss Howard. Her ongoing career continues to surprise and delight audiences, proving that while Hollywood’s landscape may evolve, Debra Winger’s allure and talent endure.
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