A questioner said:
We pulled down a false wall in the cellar of our 1857 house and found this! What is it? Any idea?
May be an image of water heater and hearth
Some of the people comments about this found were:
How come no one talking about the tea kettle that’s just suspended in the air
Weird it was covered
My mother cooked on one of these, she made amazing meals, also bread and cakes, Friday was bake day. We lived on the moors in the borders of England and Scotland. I now live in western Maryland, US.
Excellent find, too bad it was not a treasure chest
That is beautiful. An antique dealer will give you quite a lot of money for that. I wouldn’t move it or touch it until I talk to antique dealers.
What an amazing find. I wonder why the former owners covered that up.
Nice I would start tearing down other walls maybe find something else!
It was probably too heavy to get it out of the cellar so they left it.
Wooooow lucky you I would be over the moon and use it with pride … I remember staying with my nan at weekends she had one and remember her having an iron on there to do her ironing … and doing toast on the fire it was lovely… lucky you 
What a treasure
So the original kitchen may have been in the cellar or it was the kitchen for the servants. Love it
I’d leave it right there. Dust it off. Then design around it. It would be the focal point of your room.
NO!!!is it full size or a child’s size? Whatever! What a FIND!
It appears like they intentionally closed up the fireplace with stove and kettles intact for a future find like this. As a builder/contractor we almost always leave little mementoes or time capsules in the wall or closed off portions of the build. We often include owners information and pictures as well as our information. Coins from the year we did the project. Even bran new tape measures or hammers. Sometimes I’ve included brief essays on current events or political thoughts. It’s fun.
Imagine putting a wall up with the kettles still on the stove!
It looks child Size. That’s truly amazing!
Do you think this was original kitchen?
Wow! They left the tea pots in there!!
I used to black lead one of these for my gran, when I was a child. Of black lead can still be bought ot will come up like new.
That old black grate is in great condition. So what are you going to do with it?
What are your thoughts?
Owning an old house often feels like holding a piece of history in your hands. Each creak and groan of the floorboards, each worn corner, and each weathered brick tells a story. When we bought our 1857 home, we knew it had secrets. Little did we know that one of its most remarkable stories was waiting to be uncovered behind a false wall in the cellar.
The Discovery
Our journey began with a simple home improvement project. The cellar, with its stone walls and cool, damp air, had always intrigued us. One wall, in particular, seemed different. It sounded hollow when tapped and had an odd, almost hidden, seam running down its length. Curiosity got the better of us, and with a few tools and a lot of determination, we decided to investigate.
As we carefully dismantled the wall, brick by brick, our anticipation grew. Finally, the last layer crumbled away to reveal a dusty, forgotten room. What lay within was beyond our wildest dreams.
The Hidden Room
The room was like a time capsule, sealed away and untouched for decades. Dust motes danced in the beams of our flashlights, illuminating a collection of objects that seemed frozen in time. We found old furniture, crates filled with yellowing papers, and a variety of curious artifacts.
Treasures and Traces of the Past
Among the most fascinating finds were:
Antique Furniture: A beautifully crafted wooden rocking chair, a small writing desk, and a trunk filled with linens and clothing from the 19th century.
Historical Documents: Letters, diaries, and legal papers that offered a glimpse into the lives of the home’s previous occupants. One particularly poignant diary detailed the daily life of a woman who lived in the house during the Civil War.
Vintage Tools and Equipment: A collection of old tools, a sewing machine, and even an early model of a phonograph.
Personal Items: Family photographs, a set of silverware, and a few pieces of jewelry that likely held sentimental value.
Piecing Together the Past
As we sifted through the items, we began to piece together the story of the house and its inhabitants. The documents revealed that the house had been a refuge during tumultuous times. The hidden room might have been used to store valuables or even serve as a safe haven during periods of unrest.
One particularly fascinating letter was from a former owner to a relative, describing how the false wall was constructed to protect the family’s most prized possessions from potential looters during the Civil War. This discovery added a layer of historical significance to our home, connecting us to the broader tapestry of American history.
Preserving Our Find
Realizing the importance of our discovery, we decided to preserve and document everything we found. We contacted local historians and museums, who were thrilled at the prospect of examining the artifacts and documents. We even received guidance on how to properly preserve the items to ensure they remained in good condition.
A New Chapter for Our Home
Uncovering the hidden room has deepened our appreciation for our historic home. It’s more than just a place to live; it’s a repository of memories and stories that have transcended generations. We plan to incorporate some of the artifacts into our home decor, creating a small museum-like display to share the history with visitors and future generations.
Conclusion
Our discovery behind the false wall in the cellar of our 1857 house has been nothing short of extraordinary. It serves as a reminder that the past is always with us, waiting to be uncovered and appreciated. As we continue to explore and restore our home, we look forward to uncovering more secrets and preserving the rich history that lies within its walls.
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
:max_bytes(150000):strip_icc():focal(564x0:566x2):format(webp)/kim-novak-91-birthday-2-021324-db00ece17a544a71adef40001f6fabd0.jpg)
Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
:max_bytes(150000):strip_icc():focal(999x0:1001x2):format(webp)/kim-novak-2-101231c27b9c4df5a8faf795e92c9c13.jpg)
“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
:max_bytes(150000):strip_icc():focal(653x0:655x2):format(webp)/KIM-NOVAK-jimmy-stewart-VERTIGO-2000-5dc2a42cbd04435a89e716959a51902d.jpg)
“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
Leave a Reply