After her contentious support of Kamala Harris, pop icon Taylor Swift was reportedly heckled off The Ellen DeGeneres Show set in an unexpected development that rocked the entertainment industry. The infamously eccentric talk show host and singer of “Shake It Off” were set for a lighthearted discussion that quickly descended into chaos as viewers voiced their disapproval of Swift’s political views.
Swift’s latest entry into the political sphere has drawn criticism and raised suspicions among those who have watched her incredible ascent from rural darling to worldwide musical phenomenon. Swift, who was formerly renowned for holding her political cards close to the vest, has experienced a tremendous reaction following her endorsement of Kamala Harris in the 2024 presidential contest. On the Ellen set, this division was painfully visible as some of her admirers rallied behind the endorsement, while others felt left out.
The taping started off fairly innocently enough, with Taylor smiling broadly as she stepped onto Ellen’s famous white couch and the audience applauding. However, things rapidly changed when Ellen, in typical charming fashion, inquired about the Harris endorsement that had set up a social media controversy.
Ellen teased Swift with a smile, saying, “So, Taylor, let’s talk about that little tweet you posted about Kamala,” anticipating a lively exchange. But as soon as Swift spoke out to justify her decision, the tone in the studio changed from lighthearted to downright antagonistic.
The music sensation tried to defend her choice, but the first jeers came from the crowd before she could say more than “Kamala is my role model.” There were a few whispers at first, but in a matter of seconds, there was a roar of laughter and exclamations, “Get out of here!” that echoed throughout the studio.
Ever the professional, Ellen attempted to diffuse the tension by gesturing to the crowd with her hands. Guys, this is a nice show—come on! She begged, “Let’s listen to her out,” but it was ineffective. The audience wasn’t about to absolve Swift of her responsibilities because they had already made up their minds.
Ellen tried her hardest, but the jeers just got louder, bouncing off the walls and stifling any real conversation. Clearly shaken and taken aback by the animosity, Swift attempted to brush it off with a joke. But her smile turned to an unpleasant frown as the jeers got louder.
Swift said into the microphone, “I didn’t think this would happen,” as she looked across to Ellen, who was hopelessly shrugging while displaying a mix of shame and laughter on her face. This was unlike anything the talk show presenter, who was well-known for her laid-back chats, had ever seen.
With the clamor of criticism building to a crescendo, Swift rose to his feet and nodded pitifully at Ellen. She waved awkwardly at the audience and said, “I think I should go,” before the production crew escorted her off stage.
The increasing backlash from Swift’s political endorsement continues with this incident. In addition to splintering her following base, her outspoken support for Harris has significantly reduced ticket sales for her current Eras Tour.
Many critics contend that Swift made a mistake by entering politics, arguing that she would have been better off sticking to her strengths of creating music and avoiding contentious political matters. A disappointed former admirer said, “I loved her music, but I didn’t sign up for this political drama,” on the former Twitter platform, X. Taylor should refrain from meddling in elections and stick to entertaining.
Some critics were not so courteous. As they were leaving the taping, one audience member was heard to remark, “I used to think she was cool, but now she’s just another out-of-touch celebrity trying to tell us how to vote.” “I didn’t come here to hear Taylor preach politics; I came here to enjoy a fun Ellen show.”
Many observers weren’t blind to the irony of the scenario. Ultimately, The Ellen DeGeneres Show is renowned for being a secure, upbeat venue where visitors come to showcase their most recent endeavors and exchange humorous anecdotes. The fact that Swift was jeered off of an intimate stage like Ellen’s says a lot about the intensity of the criticism she is receiving.
Ellen, who is accustomed to controversy herself, appeared surprised at the ferocity of the audience’s response. A production team member for Ellen later stated that the part will not be aired in its entirety, leading some to speculate that the interview would not even be shown on the show. The source declared, “We’ve never seen anything like this before.” “Normally, Taylor’s fans are really encouraging, but today was really something else. It quickly became ugly.
Swift has not spoken anything on social media since the Ellen incident, leaving many to worry whether or how she will handle the situation. Swift’s staff, on the other side, has quickly distorted the facts, highlighting the value of free speech and her freedom to express her political opinions in a statement. The statement said, “Taylor believes in using her platform to advocate for the causes and leaders she believes in.” “Those who disagree with her or boo her will not silence her.”
Insiders, nevertheless, speculate that the singer may have been more shaken by the incident than her representatives are letting on. One person close to Swift claims that she was “devastated” by the jeers and sobbed as she exited the stage. The source claimed, “She wasn’t anticipating that kind of reaction at all.” “She expected to be able to share her perspective, but the crowd wouldn’t even allow her to speak.”
The backlash that followed Taylor Swift’s support of Kamala Harris serves as a sobering reminder of the dangers that celebrities who enter politics confront. Swift’s experience highlights how turbulent and polarizing the contemporary political atmosphere can be, despite the fact that many celebrities have effectively used their platforms to support causes and candidates.
Swift’s entry into politics has empowered some fans, who see it as evidence that their favorite musician is making positive use of her platform. However, for some, it has been a deal-breaker, making them wonder if they can still support an artist whose opinions they disagree with.
One thing is certain: Swift has a difficult road ahead of her as she struggles with the criticism. It remains to be seen if she can get past the backlash and mend her relationship with her admirers. But for the time being, she probably still hears “Get out of here!” a lot.
‘Little Miss Dynamite’ blew up the charts when she was only 12: The story of Brenda Lee
Brenda Lee’s name may not be as recognizable as some of the other music stars from the 1960s but when you think of Christmas, you’ll know her song, and start humming her catchy tune, “Rockin’ Around the Christmas Tree.”
When Lee, now 78, first hit the stage, she wasn’t old enough to drive but her powerful vocals steered her “unprecedented international popularity” as the most successful female artist of the 1960s.
Lee, whose voice defied her diminutive stature at only 4 foot 9, became a fan favorite when she was only 12.
Brenda May Tarpley, born in 1944, got her start in the late 1940s, became huge in the 1950s, and over her career–that started before she left elementary school–she topped the charts 55 times, earning the title as the most successful female recording artist of the 1960s.
When Lee was only eight (according to Rolling Stone), her father, a construction worker, was killed at work and little Brenda–who then changed her last name to Lee–became the family’s primary provider.
Taking care of her younger brother, big sister, and mother–a cotton mill worker–was not a duty, but something she wanted to do. She said that she was thrilled when she made her first $20, so she could help her family: “Even at that young age, I saw that helped our life,” Lee said, adding “It put some food on the table. It helped, and I loved it.”
The Atlanta-born chanteuse, called a “pioneer of early rock and roll,” by the Georgia Encyclopedia, achieved “unprecedented international popularity in the 1960s.”
But, an incredibly humble human, Lee credits those who helped her achieve her dreams. When Christianity Today asked what she thinks about being a legend, Lee said “I don’t think of myself that way!” She continued, “I’m just a girl who’s been blessed to be doing what I’m doing, and there’s a lot of people who’ve sweated a lot of tears and put a lot of life’s work into me to be able to have my dream. So, if I’m a legend, then they’re legends, too.”
In 1956, the young girl joined country star Red Foley for a show at the Bell Auditorium near her home in Augusta, and she belted out “Jambalaya,” by Hank Williams.
She was then signed to appear on Foley’s Ozark Jubilee, a country music show, where millions of viewers fell in love with the sassy 12-year-old whose talent was developed well beyond her age.
In the same year, Lee signed with Decca Records, and the next year, she moved to Nashville, Tennessee, and fusing country with rhythm and blues–highlighted by her hiccupping vocals–she recorded early rockabilly classics like “BIGELOW 6-200,” “Little Jonah,” and “Let’s Jump the Broomstick.”
When asked if–when as a young girl–she was nervous performing in front of large crowds, she answered: “No, not really. Nobody ever told me to be nervous. The stage always felt like a hometown to me because I had been in front of people ever since I was 3 years old, singing to people. So it was a very comfortable spot for me.”
In 1957, Lee earned the nickname “Little Miss Dynamite” for her pint-sized powerhouse recording of the song “Dynamite,” and in 1958, fans heard “Rockin’ around the Christmas Tree,” a genre and generation-crossing holiday standard, released when she was only 13.
“I knew it was magical,” she told Rolling Stone.
Over the next couple of years, she charted with hits like “Sweet Nuthin’s,” “All Alone Am I,” and “Fool #1.”
Most of her songs, however, contradicted her experience as a young girl. Her mother didn’t let her date and she graduated high school not understanding the heartbreak of young love.
She was only 16 when she said “Love could be so cruel” in the song “I’m Sorry” and only 16 when she said “I want his lips to kiss me” in the song “I Want to be Wanted,” both back-to-back hits when she was still in school.
And when she turned 18, she met Ronnie Shacklett, whom she’s now been happily married to for 60 years.
Life on the road for Lee as a youngster had its difficulties. She celebrated her 12th birthday in Las Vegas and speaking with the Las Vegas Journal, Lee explained her loneliness.
“Of course, I wasn’t even allowed to walk through a casino, I was so young. So I didn’t even know what a casino looked like. They took me into the kitchen, then into the showroom. And then when my show was over, I was brought back out through the kitchen and back up to my room. Children weren’t allowed … in the casino area.” She continued, “There wasn’t anything to do in Vegas for a kid. The most fun I had was on the stage.”
Speaking on what she missed out on as a child, the award-winning Lee said, “Many times, I yearned to be with my friends rather than be out there on the road.”
Turns out she made new friends on the road, like with the music group that opened for her at a 1962 show in Germany. “I hung out with John,” she says effortlessly, speaking of John Lennon. “He was extremely intelligent, very acerbic with his jokes, just a gentle person. When I found out that they later said they were fans of my music, I was just floored.”
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