Earl Holliman’s path to Hollywood is a compelling story of ambition and aspiration. At the age of 14 in 1943, he was resolute in his desire to become a movie star.
Raised in Oil City and Mooringsport, often mistakenly identified as Shreveport, he embarked on his journey to Hollywood through several stops along the way. His adventure began with a trip to visit relatives in Camden, Arkansas, followed by a bus ride to Texarkana, Texas. From there, he hitchhiked to Hollywood.
Having saved some money working as a theater usher and during the night shift at a café near Barksdale Air Force Base, Holliman had also connected with a serviceman who offered a lead on a place to stay. However, this turned out to be in El Monte, California, a significant distance from Hollywood. Looking back, Holliman acknowledges that it was a risky decision, one that wouldn’t be advisable in today’s world.
His initial foray into Hollywood didn’t pan out, prompting him to return home briefly before enlisting in the Navy. Nevertheless, his dream of becoming an actor remained alive. He eventually made his way back to Los Angeles, where he honed his craft at the Pasadena Playhouse and the University of California, Los Angeles.
Holliman’s determination paid off, leading to an impressive film career with notable roles in classics like “Giant” (1956), “Forbidden Planet”, “The Rainmaker”, and “The Sons of Katie Elder”. He also became well-known on television, especially for his work alongside Angie Dickinson in “Police Woman” and with Richard Chamberlain and Rachel Ward in “The Thorn Birds”.
He fondly reminisces about his early days in Hollywood, particularly his first morning in El Monte, when he wore a short-sleeved silk shirt and dark glasses while walking in front of Grauman’s Chinese Theatre, fantasizing about being mistaken for a star. It was a moment filled with youthful dreams and innocence.
See below how Earl Holliman looks today at 96.
When she got home, she excitedly shared with her parents that she had made a new friend at school: Their surprise was evident when they saw the picture she brought with her
In the late summer of 1997, amidst the bustling halls of a Cape Town maternity hospital, Celeste Nurse awoke to a nightmare. Her infant daughter, cradled closely in her arms just moments before, was now inexplicably missing. A woman disguised as a nurse had stealthily absconded with the child while Celeste dozed off, leaving behind a void that would haunt the Nurses for two decades.
Year after year, they commemorated their daughter’s birthday with bittersweet celebrations, clinging to hope amid the anguish of uncertainty. Then, in a remarkable turn of events in 2015, a glimmer of possibility emerged. With the arrival of a new addition to the Nurse family, named Zephany, hope stirred once more.
Zephany bore an uncanny resemblance to their long-lost daughter, sharing not only her features but also her birthday. Astonished by this revelation, the Nurses wasted no time in seeking confirmation, enlisting the aid of authorities for a DNA test. The results validated their deepest yearnings – Zephany was indeed their missing child.
“DNA is a truth teller. It affirmed what our hearts always believed”, reflected Celeste Nurse on the profound moment of reunion. However, for Zephany, then known as Miché Solomon, the revelation unraveled her world. Despite her birth certificate asserting her origin at Retreat Hospital, records of her birth were conspicuously absent.
As the legal proceedings unfolded, Miché grappled with the revelation that Lavona Solomon, the woman she had always regarded as her mother, stood accused of kidnapping and fraud. Lavona professed her innocence, claiming she had received the baby from a woman named Sylvia, an assertion unsupported by evidence.
Ultimately, Lavona received a ten-year sentence for her crimes, leaving Miché to navigate the complex terrain of her dual identity. Reunited with her biological parents under the guidance of compassionate social workers, Miché wrestled with conflicting loyalties.
“It was a battle waged in the recesses of my mind and heart”, confessed Miché, torn between the families vying for her allegiance. Despite her reunion with her birth parents, Miché found solace in returning to Michael Solomon, the man she still considered her father, following her parents’ separation.
Yet, the reconciliation was fraught with challenges as Miché struggled to reconcile her two identities, opting to retain her given name rather than reverting to Zephany. While she maintains occasional visits to Lavona in prison, Miché endeavors to forge ahead, embracing the truth that, though painful, liberated her from a life built on deceit.
“I am both Miché and Zephany, a synthesis of two worlds”, she declared, embracing the complexities of her past while charting a course towards a future defined by authenticity and forgiveness.
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