I always knew my stepmom, Monica, wasn’t exactly the nicest person—annoying, yes, but not evil. She was the type who would talk over me, forget my birthday, and call me “kiddo” even though I was practically an adult.
But what she did on my 17th birthday? It was the final straw.
It all started after my mom, Sarah, passed away when I was ten. After that, it was just me and Dad. We were a team—movie nights, pizza dinners, and a mutual understanding that we had each other’s backs, always.
Then Monica came along about three years ago. She wasn’t the worst, just kind of… there. She moved in, slowly took over the bathroom with her endless beauty products, and managed to inch her way into Dad’s life, whether I liked it or not.
Monica had dreams—big dreams—of opening a hair salon. I didn’t have a problem with people having dreams, but I had my own, too, and she treated me like I was an inconvenience that came with the house.
But I had a plan. College was my way out, and Dad had promised me from the time I was little that there was a college fund waiting for me. “Your mom and I set it up when you were five, Lila,” he’d say. “It’s all there, and I add to it every year.”
So, I worked hard in school, counting down the days until I could leave for college and start a life of my own.
On the morning of my 17th birthday, I wasn’t expecting much. Maybe some pancakes, a card—Dad was at work, so it was just Monica and me. But when Monica handed me a gift bag, things took a weird turn.
Inside the bag was a pink funerary urn. Yes, you read that right. An urn.
I stared at it, completely confused. “What the hell is this?” I asked.
Monica leaned against the kitchen counter, a smug look on her face. “It’s symbolic,” she said as if that explained anything.
“Symbolic of what?” I asked, already feeling a sinking feeling in my stomach.
Monica smiled wider. “It’s time to bury your college dreams, kiddo. Your dad and I decided to put that fund to better use.”
“Better use?” I repeated, my heart racing.
“Yep. We used it to help me open my salon. College is a gamble, Lila. But a business? That’s a real investment.”
I was frozen. Had they really taken my future, my college fund, and sunk it into Monica’s dream? How could my dad have let this happen?
“Life’s full of disappointments,” she added, as if that was supposed to be comforting.
I ran upstairs and slammed my door, sobbing harder than I ever had. Everything I’d worked for, everything my mom had wanted for me, was gone.
For the next few days, I barely spoke to either of them. Monica pranced around like she owned the house while I sat with the urn on my desk, a twisted reminder of what I had lost.
Then, a few days later, something strange happened.
When I got home from school, there was a note on my desk in Monica’s messy handwriting: Meet me at the salon at 6 P.M. tonight. No questions. Just trust me.
I almost laughed. Trust her? After what she did?
But my curiosity got the better of me, and against my better judgment, I went.
When I arrived at the salon, the lights were off, but the door was unlocked. Hesitant, I stepped inside. There, in the middle of the room, were Monica and my dad, both grinning.
“Surprise!” Monica shouted.
I was speechless.
“Look,” Monica said, stepping aside to reveal a shiny new sign on the wall: Dream Cuts: A Scholarship Fund in Honor of Sarah.
“What is this?” I asked, completely lost.
Monica’s smile softened. “We didn’t use your college fund, Lila. It’s all still there. The salon isn’t just for me—it’s for you, too. And for others like you. A portion of the profits will go toward funding scholarships in your mom’s name.”
I blinked, feeling like the ground was shifting beneath my feet.
“But… why make me think otherwise?” I asked, still trying to wrap my head around it.
Monica winced. “Yeah, the urn thing… That was not my best idea. I thought it would be motivational, like burying the past and embracing the future. Turns out, it was just creepy.”
Dad stepped forward, placing a hand on my shoulder. “We’ve been planning this for months. Your mom always wanted to help kids get to college. This way, her dream lives on.”
I stood there, stunned, my anger melting into something softer.
Monica looked at me earnestly. “I’m not trying to replace your mom, Lila. I just want to build something meaningful, something that helps you and others. I know I haven’t been the best stepmom, but I hope this can be a fresh start.”
For the first time in a long time, I smiled.
It wasn’t perfect, and maybe things with Monica never would be. But in that moment, standing in a salon named for my mom, I realized she wasn’t trying to destroy my future—she was trying to honor it in a way I hadn’t expected.
And yeah, I kept the urn. I planted peace lilies in it. Maybe it wasn’t the symbol Monica had intended, but it had become something new. A symbol of hope.
What would you have done in my shoes?
See 1970s icon Faye Dunaway now at 83
Among the few living real legends is Faye Dunaway.
The legendary actress, well-known for portraying strong, resentful, and challenging women, is among the best in movie history.
And the eighty-three-year-old continues on…
Dunaway is best known for her twisted cry in the campy cult film Mommie Dearest, “No more wire hangers!” She also starred in Hurry Sundown with Michael Caine and Bonnie & Clyde, winning the main part over Jane Fonda and Natalie Wood.
The Florida native actress, who was also awarded three Golden Globes and an Emmy, was born in Bascom.
It’s difficult to discuss Faye Dunaway’s career without bringing up the film Mommies Dearest. Channeling Joan Crawford’s energy, Faye Dunaway shocked the Mommie Dearest crew when she initially appeared from the dressing room in the legendary role of the four-year-old actress.
The sensationalized movie Mommie Dearest (1981) is based on Christina Crawford’s memoir of the same name, which describes her troubled connection with the late actress Joan Crawford, who was her adopted mother.
Dunaway managed to create a combination of charm and terror.
In her unsettling portrayal of Crawford, Dunaway blurred the boundaries between reality and resurrecting Joan, both on and off the set. She was so desperate that she declared, “I want to climb inside her skin,” to a Hollywood biographer.
Dunaway either developed her method acting skills to a high degree or her spirit took over. In her memoir, Looking for Gatsby, she writes. “I was told by one that it felt like Joan herself had risen from the dead.”
In reality, the media began to believe that Crawford was haunting Dunaway.”(Dunaway) appears to have borrowed it for 12 weeks from the ghost of Joan Crawford,” the Los Angeles Times remarked about her voice.
In a part that will live in legend, Dunaway expresses remorse. She told Entertainment Tonight, “I think it turned my career in a direction where people would irretrievably have the wrong impression of me—and that’s an awful hard thing to beat.” “I should have known better, but sometimes you don’t know what you’re getting into and you’re vulnerable.”
Working with some of the sexiest men in Hollywood, like Paul Newman, Robert Redford, Kirk Douglas, and Johnny Depp, Dunaway showed extreme self-control and maintained a platonic connection with her co-stars.
A few individuals were drawn to particular things; perhaps Jack (Nicholson) and Warren (Beatty), but not many. Though Steve McQueen was contentedly devoted to someone at the time, Warren was at that point in his bachelorhood. “I wouldn’t mess around with something like that even if it were offered, but it wasn’t,” Warren said.
“You simply don’t,” she remarked in a Harper’s Bazaar interview. “You don’t do that because you know it will ruin the performance and the movie. That’s my rule.
The dapper, Italian award-winning actor Marcello Mastroianni, broke the rules for the timeless beauty with her delicate high cheekbones because he was too much of a temptation.
Life imitates art in her connection with the Italian celebrity. starring in the 1968 film A Place for Lovers, which Roger Ebert of the Chicago Sun-Times referred to as the “most godawful piece of pseudo-romantic slop I’ve ever seen!”-Dunaway portrays a fashion designer who is having an extramarital romance with Mastroianni, a race car driver. She had a brief but intense three-year romance with the actor in real life, which she ended when he refused to leave his wife.
Dunaway stated, “I was deeply in love with him,” in a People interview. I had never encountered a man like him before, and I felt incredibly safe with him.
She wed musician Peter Wolf, the lead vocalist of The J. Geils Band, in 1974; they separated after five years.
According to a Marie Claire article from 2017, Dunaway began an affair with renowned British photographer Terry O’Neill because she was dissatisfied in her marriage to Wolf. With her Oscar from the movie The Network on the table next to her, O’Neill captured a picture of her lounging by the pool at The Beverly Hills Hotel.
After being married in 1983, Dunaway misled the public for many years, claiming that her son Liam, who was born in 1980, was actually her biological child. In 1987, Dunaway and O’Neill were divorced.
Dunaway is alleged to be a manipulative diva who is very difficult and unpredictable for co-stars, production personnel, and even hotel employees.
She was fired from her role as Audrey Hepburn in the off-Broadway production of Tea at Five in 2019 for creating a “dangerous” and “hostile” environment, and she was fired by Andrew Lloyd Weber from his Sunset Boulevard production in Los Angeles, California, in 1994.
She was dubbed the “gossamer grenade” by one of her leading men, Jack Nicholson, and when Johnny Carson questioned her in 1988, “Who’s one of the worst people you know in Hollywood?” “Faye Dunaway and everybody you can put in this chair would tell you exactly the same thing,” was the swift response from the feisty and unrepentant Bette Davis. “I don’t think we have the time to go into all the reasons—she’s just uncooperative,” the woman said. For Miss Dunaway, Miss Dunaway is Miss.
Dunaway is still a very talented performer despite her challenging, frequently harsh, and nasty demeanor.
She was awarded a star on the Hollywood Walk of Fame in 1996, and in 1997, People magazine listed her as one of the 50 Most Beautiful People.
Regarding her romantic status, she is now single.
She stated in a 2016 People interview that she was still open to dating. She says, “I’m very much a loner.” “I always think that if I could find the right person, I would like to have a partner in life, and I would.”
Her most recent credit dates back to 2022, when she costarred in the Italian film L’uomo che disegnò Dio with Kevin Spacey.
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