A few of us can still recall the days when “typing classes” required using real typewriters.
It is almost impossible to imagine that there was a period when typing had a tactile, almost rhythmic quality in an era when computerized screens rule our communication.
Our fingers danced across keys in a complete ten-finger ballet, not the constrained choreography meant for smartphones.
The medium for this dance was the typewriter, the mysterious device that ran on paper and ambition and required no electricity at all.
The late 1800s saw a great deal of advancement in communication technology, which is when the typewriter first came into being. Relics from this era are housed at the Henry Ford Museum of American Innovation, where curator Kristen Gallerneaux shows that the typewriter was not an immediate hit.
Its origins were largely due to Milwaukee printer Christopher Sholes and Carlos Glidden, who were inspired by a magazine article to design what would eventually become the first typewriter to be commercially successful.
The invention of Sholes and Glidden, who called it after themselves, was a technical miracle. It struck a compromise between the precision necessary for legible typing and the need for durability to withstand users’ need to “bang away on the keys.”
The typewriter took a while to become well-known despite its inventiveness; it didn’t take off until 1874.
The typewriter was a marvel of design as much as a technological achievement. The QWERTY keyboard layout, which was popularized by the Sholes and Glidden typewriter and is still in use today due to its efficiency in minimizing letter jamming by separating frequently used pairings, was introduced.
Centuries later, this keyboard layout’s answer to a mechanical issue unintentionally influenced how we use them.
The typewriter started to change the American workplace by the late 1880s. A notable change was brought about by the invention of the typewriter, which at first was used mostly by men.
By 1910, women accounted for nearly 80% of professional typists, a significant shift in the office setting.
This change was a social revolution that redefined gender roles in the workplace, not merely a technological one.
Innovations like the Nodin typewriter were the result of the search for a quieter typing experience. Its moniker, a witty reference to its silent functioning, perfectly captured the way typewriter design has continued to advance.
Even though the Nodin is a unique find, its presence demonstrates the inventive lengths inventors were willing to go to in order to enhance typing.
We haven’t even discussed electric typewriters in our history, which added a new level of convenience and noise to the typing experience. Nonetheless, early typewriters’ tactile feedback and straightforward mechanics have left a lasting impression on those who have used them.
Many individuals still enjoy listening to the old-fashioned clickity-clack sound of the keys.
The story takes a pleasant detour and returns to the act of typing. One of these old machines is available for you to type on, thanks to the curator at the Henry Ford Museum. The sensation serves as a sharp reminder of how physically demanding typing on a typewriter is, in sharp contrast to how natural typing on a modern keyboard is.
It’s a nostalgic moment that serves as a reminder of the development of writing technology and the timeless allure of typing.
The typewriter is a link to a lost era of communication because of its intricate mechanical design and lengthy history. It is a sentimental stroll down memory lane for those who recall. It’s an invitation to those who are unfamiliar with typing to discover the tactile delights of a world where words were created physically and each letter carried weight.
The typewriter is a monument to the human need for connection, communication, and creation even as we enter the digital age.
Watch the video below to find out more about the complex and fascinating history of the common typewriter! Kindly DISPLAY this to your loved ones.
If you spot a purple butterfly sticker near a newborn, it is important to understand its meaning
When Millie Smith and Lewis Cann found out they were expecting a baby, they were overjoyed. As there was a history of twins in Millie’s family, she had a strong feeling that she was going to give birth to two little ones, and her instincts were right. The ultrasound confirmed that she was indeed expecting twins, but the doctors told them that one of the babies had a very small chance of survival.
ragically, one of their daughters was born at 30 weeks with anencephaly, a serious condition that affects the development of the brain and spinal cord. They learned that their precious baby had only moments or hours to live.
Knowing this, Millie and Lewis wanted to give her a name before they said goodbye. They chose the name Skye. Millie explained: “We felt she needed a name before she arrived. Knowing she wouldn’t be with us for long, I wanted her to have a name in those fleeting moments”.
The name “Skye” symbolized a connection to a place they could always remember when they looked up to the sky. “We held Skye close as she died. It was the most heartbreaking moment of our lives, but I’m proud that she fought to spend that time with us.” Skye only lived for three hours, a brief time filled with love while her parents cherished her beauty and presence.
After her death, Millie and Lewis were supported by a “bereavement midwife” and given access to a “Daisy Room”, a special room where parents could spend time with their baby before and after death. However, after Skye was gone, her memory seemed to fade; no one spoke of her, leaving Millie feeling like her daughter had never existed, which made her angry.
“Most of the nurses knew what had happened, but as the weeks went by, people stopped mentioning Skye. Other families around me had no idea about our loss”, Millie recalls.
While her other daughter, Callie, was still in the NICU, another mother who knew nothing about Millie’s situation remarked how lucky she was not to have twins. “None of the other parents knew about Skye, and that innocent comment almost broke me. I left the room in tears but didn’t have the heart to explain”, Millie said. “A simple sticker could have prevented this.”
This experience inspired Millie to design a sticker for incubators to mark the loss of one or more babies in a multiple birth. She chose butterflies to symbolise the ‘flown away’ babies and used the colour purple, which is suitable for any gender.
From this idea grew the Skye High Foundation, which promotes the Purple Butterflies initiative and helps raise awareness in hospitals around the world. The foundation also offers a range of purple butterfly merchandise.
“Although I can’t prevent these situations from occurring, I believe the more support we can provide through initiatives like the stickers, the better it will be for others who suffer this loss. It’s an incredibly tough journey”, said Millie. Today, her surviving daughter Callie is seven years old.
Leave a Reply