Woman leaves an empty seat for her late son on her wedding day – She can’t believe it when she sees an unknown person sitting in the chair…

Life is unpredictable. Sometimes, no matter how hard we try to make things right, God has other plans.

Becky is a woman who tragically lost her son Tristan, who was just 19 years old at the time he left this world. Her grief was immense. She couldn’t possibly imagine her life without her child, but over time, her loved ones helped her accept the reality and move on.

Around two years after Tristan’s passing, Becky was about to marry the love of her life, a man named Kelly.

On the day of their wedding, the two decided to leave an empty seat in Tristan’s honor with a heartwarming message written on it. “What should I do now that I’ve arrived in heaven for your wedding? I will stoop to your level in order to spend it with you. Please save me a seat, even if there is only one available chair. Although you might not notice me, I shall be present.”

As the ceremony proceeded, Kelly informed Becky that there was someone there who wanted to see her. A young man who took Tristan’s chair. When she saw him, Becky wasn’t mad. On the contrary, spotting the young man, she was overwhelmed and couldn’t stop tears from rolling down her face.

That man, Jacob, was the recipient of Tristan’s heart. Tristan was an organ donor, and Jacob wasn’t the only person whose life he saved.

When Kelly informed Jacob that he and Becky are getting married and invited him to the ceremony, Jacob was more than willing to travel from San Diego in order to attend it. It was a beautiful surprise that warmed Becky’s heart and made her day. She felt like her son was present on her wedding day.

Becky was then given a stethoscope so that she could hear her late son’s heartbeat. It was an emotional moment no one could ever forget.

Someone snapped photos of the beautiful surprise and shared it on Facebook. The story went viral in a matter of days and many praised Kelly for his love for Becky.

Many people took their time to comment, with one person writing: “Why is it that we can’t just have one news channel that is dedicated to delivering uplifting and motivational stories like this one? If only the goodness and thoughtfulness that exists in the world were distributed more widely, it could inspire more of the same.”

Australia’s adopted popstar son Leo Sayer reflects on his career

“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.

Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.

He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.

“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”

Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”

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